Before the Blue Wall. Photo: Homer Sykes, text: Katy Evans-Bush. (4/4)

Fishermen on the River Lea, by Homer Sykes

Anglers on the river Lea. © Homer Sykes 2006.

Katy Evans-Bush:

These two men were fishing in this spot in 2006. For all we know, they’d sat there every available Saturday since they were ten. But we know they’re not sitting there now. It’s in the past – that is, it’s in the Olympic ‘Park’.

The website for the adjacent Walthamstow Marshes says: ‘The reserve is one of the few remaining pieces of London’s once widespread river valley grasslands, and a space to treasure for many reasons!’

The Wikipedia page for the Lower Lea Valley, which means roughly the same place, says ‘the Olympic Games… will provide a legacy of facilities for this currently run-down area. There are plans to redevelop all the derelict and underutilised [sic] parts of the valley, which will take until 2020 or beyond’.

… for The London Column.

A selection of pictures from Before the Blue Wall, Homer Sykes’s project documenting the Lea Valley prior to the Olympic redevelopment, may be seen at the Green Lens Gallery (4a Atterbury Road, London N4 1SF) until the 25th of July. Homer’s website is here.

The Heath. Photo: Andy Sewell, text: Katy Evans-Bush (5/5)

© Andy Sewell

And so the day ends. The summer is a particular kind of time, like high noon: a bit brutalist. It doesn’t allow many shadings: you’re either in it or you’re not. The Heath gives a respite, with its dark nooks and ancient crannies, and the thronging Bank Holiday weekend is the end of empiricist summer. September, as timeless in its way as summer is always trying to be the new thing, is a second chance to bathe in warmth and light, in the presence – but still beyond the reach – of gathering autumn. For those of us who can’t relax when the whole world is ordering us to, and those who can’t go away somewhere in the de rigeur month of August, September is a valediction.

So into the woods we go. Not a wolf in sight. KEB

… for The London Column © Katy Evans-Bush 2011

Katy Evans-Bush’s new book is Egg Printing Explained

buy The Heath, by Andy Sewell

The Heath. Photo: Andy Sewell, text: Katy Evans-Bush (4/5)

© Andy Sewell.

Things people do on Hampstead Heath:

Argue, bathe, be a human sculpture, break up, build a snowman, Capoeira, carve their initials, climb the hill, compose poetry in their head, cottage, daydream, do magic tricks, drink Ribena, eat crisps, examine the evidence, expose themselves, fall in love, fantasise about the past, forget the city, gaze at the city, get lost, get mugged, go fly a kite, go walking with granny, grope a stranger, hide from the mob, idealise the past, identify trees and insects out of a book, imagine the Heath full of wolves, jog, kiss, knit under a tree, laugh, lie in the grass, look at the sky, look for their lover’s lost wedding ring, look for their lover, make friends, meditate, mug someone, nobble an acquaintance by the bathing pond, open a packet of biscuits, play with the baby, pose, pull the dog on the lead, push-ups, quaff wine, question reality, read a book, read a Kindle, record a video, search for the change that fell from their pockets, shelter from the rain, sit on blankets, slip on the ice, splash, stare at the ground, strain their muscles, sunbathe, surreptitiously check their emails, Tai chi, tea and cakes at Kenwood, think about John Keats, think about what to have for dinner, tread carefully in the mud, unravel their picnic blanket, unravel the mysteries of the universe, visit Uncle Walter’s bench, walk off the tea and cakes, watercolours, weight training, whistle with a blade of grass, wish there weren’t so many people around, worry, write a book, yodel, zzzzz.

… for The London Column, © Katy Evans-Bush 2011

Andy Sewell’s book The Heath may be purchased here.

The Heath. Photo: Andy Sewell, text: Katy Evans-Bush (3/5)

© Andy Sewell

The Bog of Despair

We’d lunched on Greek salad and coffee
In a place with white walls and a skylight,
And when the guy in the corner’s phone
Went off in a polyphonic can-can
We laughed without even trying to hide it.

We’d looked in a shop where a scarf
Of silk sat waiting for me to buy it,
And walked past a dog in a puddle
Of mud, who shook his coat,
But missed us – and we laughed.

The Heath was lovely that day –
The air was full of spring.
We’d walked up a foresty path,
Past a rubber hung like a thief on a tree,
Full of swag, and we’d laughed and laughed.

We’d walked past the swimming pond
And up the mound of Parliament Hill,
Talking about John Keats,
And other people we know, and the dog,
Looking for somewhere to sit, and laughing.

But every bench we came to
Was engraved in memory of someone
Loved and regretted, young, a child.
I imagined them sitting quiet
Along the hill, or invisibly playing.

The benches sat on a fat slope
Far from the blue chiffon horizon,
The blink of Canary Wharf,
The London Eye’s diamond necklace.
We read them, and flinched, and laughed.

We turned and started down:
You had to get your kids from school,
And I had a shiny scarf to get,
And the jeweller’s-window view
Of London had ceased to amuse us.

Your new shoes from Paris stuck
In the mud, and we laughed: the Bog
Of Despair! We laughed because
We could feel, behind us, up the hill,
The children watching us.

see Me and the Dead, by Katy Evans-Bush

see The Heath, by Andy Sewell