Transmitter, Crystal Palace, © David Secombe.
Merry Christmas everybody. D.S.
Greenwich Park, 1993. © David Secombe.
This Christmas season has a peculiar flavour, distinct from any other I can recall. The sheer weirdness of world events has imbued it with a sense of foreboding; and although I am old enough to remember the tail end of the Cold War and the fear of Mutual Assured Destruction, what we are living through now seems uniquely tawdry and surreal. Everyone seems to be casting around for historical parallels to contextualize the strangeness of the present. Thought For The Day pieties don’t really belong on The London Column, so I won’t rehearse the obvious. But, given that so many are casting around for runes to foretell the future, we might as well invoke the pagan underpinnings of the festival that is now upon us.
The picture above was taken in Greenwich Park in December 1993; the roe deer skull in the photo belonged to my companion on the day, an art teacher who was taking it into her class as a subject for a still life. It was she who remembered that we were standing near the remains of a Romano-Celtic temple, and she produced the skull as an fittingly atavistic prop. In its day, the temple in Greenwich Park was an excellently situated facility; an ancient world insurance bureau, handy for any last-minute sacrifices you wanted to make to Poseidon (or whoever) on your way to the Kent coast. And by 400 AD there might have been a lot of anxious sacrificial blood-letting at this temple, what with all those hairy Saxons and Picts … The retreat of the Romans from Britain has always struck me as being as comic as it is poignant; I’m thinking of the Romanised Brits, all those comfortable farmers and aspirational merchants, watching in dismay as the props of civilization gradually disappeared. No wonder so much treasure got cached at this time, buried for safekeeping and then forgotten. I imagine a party of bewildered civilians standing on the beach at, say, Richborough, waving off the last Roman galley, saying that the lads wouldn’t be gone long and that normal service would soon be resumed. I wonder how long it took for the reality to sink in.
And on that note …
Happy Christmas everyone.
DS: About a thousand years ago (1991) I spent a few months working with a BBC film crew – it really was film – making a documentary to mark the Queen’s 40th year on the throne. The camera/sound team of Philip Bonham-Carter and the late Peter Edwards, and the director Edward Mirzoeff (a sometime contributor to this blog) – had formidable reputations. I did not have a formidable reputation. I was hired in haste, the production already rolling, to take ‘stills’ and not get in anyone’s way. Naturally, I got in everyone’s way – most often in the viewfinder of Philip’s Arriflex – but somehow managed to avoid being fired.
My chief recollection of the project is fear: fear of getting in Philip’s shot, fear of missing my shot (the sound-proof camera housing I had to use denied easy access to the camera), fear of under-exposure in huge rooms lit by dim lamps, fear of saying the wrong thing … I even discovered a new kind of fear: that my Moss Bros penguin suit was about to collapse in front of royalty. At Windsor Castle photographing a state banquet I suddenly felt the elastic in my waistband give out; my trousers began heading south just as Lech Walesa was greeting the Queen Mother. The nightmares still recur.
I finally overcame my fears and managed to complete the project, salvaging some dignity in the process. Looking back, these images are souvenirs of a time that has become so distant. Who would have thought that 1991 would seem like such an innocent time?
Anyway, this blog post constitutes The London Column’s 90th birthday greeting to Her Majesty. Please be upstanding, and cue music:
All photos © David Secombe.
Kings Cross. © Dave Hendley.