Resist.

Ah! What a beautiful day for having a cup of tea in your garden, watching the birds scatter in fear at the approach of a convoy of US military aircraft. Fran Isherwood, after the late Ken Dodd.

I’m not sure who is going to be reading this, as I have totally neglected The London Column this year. My lack of attentiveness is down to a combination of factors, but can be roughly summarised as: 70% personal crises; 20% working on a different version of this material; and 10% depression at the state of the subject under discussion.

However …

It is Friday 13th and Donald Trump is in town. This morning’s news headlines make for a bleach-in-the-eyes experience and one struggles to think of historical parallels. How about Suez ? That’s a humiliating episode of Britain’s history that isn’t part of the national myth (a bit of a downer between winning the war and the Beatles) and showed the extent to which we were constrained by American power; but at least Suez showed a U.S. president acting sensibly by reining in Anthony Eden’s anachronistic imperial folly.

No, the current mess has a toxic dynamic all its own. A fragile PM attempting to carry out a pitiful act of national self-harm (trying to limit the damage whilst maintaining the preposterous rhetoric to appease the loons in her own cabinet) is hosting a gleefully destructive, authoritarian president who openly despises her weakness.

Clearly, Trump despises lots of things – including the mayor of London and the multi-culturalism that the city represents. But, proving that a decent joke – or even a puerile one – can reach the parts that sober analysis cannot reach, a giant Trump baby blimp has taken to London’s skies this morning. The fact that people have been worried about how this inflatable cartoon will impact Caesar’s mood is a black joke in itself.

Anyway, there’s a real summer festival mood this weekend, what with the Wimbledon and World Cup finals, the continuing heatwave (due to end soon), The Latitude Festival in Suffolk (where a good friend is performing Brexit – the Game Show) and a host of anti-Trump protests to choose from up and down the country. So let’s enjoy the summer whilst we can; a joyous pleasure cruise to the edge of the abyss. DS.

 


There Is A Light And It Never Goes Out.

Tate Modern, Bankside, 2002. © David Secombe.

A Londoner writes, 4 June, 2017:

Obligatory Post-Terrorism Status

Last night I felt some level of fear for the first time with these attacks, simply because I knew a lot of people within the direct vicinity of where an attack was apparently occurring at the time. It was a weird feeling, and I resent that I was made to feel it, but I think while it’s normal for people to feel fear in these situations (well-founded or not), the important thing is the interpretation of, and reaction to, said fear.

There are a myriad of threats far greater than terrorism, including mundane things like the fact that around 40 people die every year from TVs falling on them. However, the nature of these events and the subsequent media frenzy sends people into a state of panic. I’ve already seen enough people online calling for all muslims to be deported, or sent to Guantanamo Bay, or to close our borders. These people are terrified – they fear for their lives, and they are letting that fear drive them to these statements about urgent action and retaliation. This is the manifestation of the “terror” caused by terrorism. It means it was a success, when by all measures it really shouldn’t be. These people are fragile little flowers, quivering in the hot winds of the tabloid.

 

Banksy stencil, Park St., SE1, 2003. © David Secombe.


The way to deal with this shit is to carry on with your life as normal. Disregard the absurd actions of a handful of fucking nutters as exactly that. Don’t be a fucking pussy. Go buy a grilled cheese sandwich in Borough Market. Take a walk along London Bridge, hold your head high and realise there’s nothing to be afraid of, since the simple act of walking down the street is literally more dangerous than terrorists. You’re a fucking daredevil.

 

London Bridge Station, 2003. © David Secombe.

Text © Emil Smith. Special thanks to Katy Evans Bush.

 


Dalston, 9 November 2016.

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Photo © Jody Porter.


The Day They Left.

Surrey Steps, off Strand Lane, north of the Embankment, November 2014.

Surrey Steps, off Strand Lane, north of the Embankment, November 2014.

… by Tim Wells:

The first thing I noticed was that the beigels had gone

and there was a run on fried egg sandwiches.

Katie Hopkins became a nice person.

The free newspaper on the bus had actual news in it.

It turned out there actually was £350 million for the NHS.

Farage said he’d buy those of us left a pint,

which was fortuitous ‘cos Wetherspoons had cut their prices.

No more forelock tugging for us, Squire,

‘cos what with all the empty houses

each and every one of us got a luxury flat,

each of which came with a rent cap.

The radio could have been better. They’d decided no Kate Bush,

no P.J Harvey but there was a hell of a lot of Coldplay.

Employment was a doddle. I’d always wanted to be a doctor,

or a plumber, or have me very own fish and chip shop,

and these days all the education was free so it was

certificates all round. Gilt edged ones with a crinkle cut at that!

At the job my working day had been halved, pay doubled,

holidays extended. The light began to dawn.

© Tim Wells. Written after the United Voices of the World picket of 100 Wood Street, 29 June 2016.

Photo © David Secombe.