At least ten fanlights.

Doughty-St-cyclist smallerDoughty St., WC1. © David Secombe 2010.

Burned Georgian houses in Borough, London, 2010.Southwark Bridge Rd.,SE1 © David Secombe 2009.

Georgian house in Wapping, London, 2010Cable St., E1. © David Secombe 2010.

Albermarle Arcade, Mayfair, london, 2010Royal Arcade, Albemarle St., W1. © David Secombe 2011.

St Anne's Limhouse, London, 2010St. Anne’s Limehouse. © David Secombe 2010.

Jesus-Maiden-Lane smallerCorpus Christie, Maiden Lane, WC2. © David Secombe 2014.

Sidney-St-doorway smallerSidney St., Whitechapel. © David Secombe 2011.

Royal Opera House from behind the old police court on Bow St., LRoyal Opera House from Marlett Court. © David Secombe 2010.

Citroen DS, Waterloo, London, 2011.Citroen DS, Roupell St., Waterloo. © David Secombe 2012.

Edward Heath, 10 Downing St., election day, 1970Edward Heath, 10 Downing St., June 1970. © Angus Forbes 1970.

See also: Edward Heath’s Feet 

 


Nights at the Opera. Photo David Secombe, text Edward Mirzoeff (1/5)

Backstage, Royal Opera House. Photo © David Secombe 1994.

Edward Mirzoeff writes:

The House was, in many ways, the definitive “fly-on the wall” television documentary series. The six episodes, shot in 1993 and 1994, went behind the scenes at the Royal Opera House, Covent Garden to reveal the astonishing dedication, talent and sheer hard work put in by singers, dancers, technicians and craftspeople in decaying and unhelpful surroundings. It also revealed the equally astonishing conflicts, confusions and ineptitudes of some members of the management and some grandees on the Boards.

The television audience, and newspapers all over the world, were gripped by the saga from week to week. Some people took it as an allegory of the state of the nation. And after it was over, the series went on to win all the prizes. BAFTA, Banff Festival, Broadcasting Press Guild, International Emmy, Royal Philharmonic Society – The House cleaned up all the statuettes.

Just one puzzle remained. Despite the many awards, despite the publicity and controversy, the series was never shown again. In a culture of endless repeats of mediocre television programmes, such restraint by BBC Controllers was curious.

[Edward Mirzoeff was executive producer of The House for BBC Television.]